Focus, an exhibit of new pieces in the Mining Industries series based on Boston and Lowell, MA, Heller Gallery, New York, NY, February-March, 2016.
Six-Week Project Fellowship at Wheaton Arts and Cultural Center – Creative Glass Center of America, Millville, NJ, April 20-June 1, 2016.
Two-week kilncasting workshop, “Kilncasting: Demystifying the Digital,” at the Studio of the Corning Museum of Glass, July 18-29, 2016.
One-week workshop, Cast Away: aluminum casting from digitally derived patterns, Anderson Ranch Arts Center, July 11-15, 2016.
Two pieces from the Mining Industries series (Downtown Seattle and the Microsoft Corporation Headquarters) included in the exhibition Atoms + Bytes: Redefining Craft in the Digital Age at the Bellevue Art Museum, March 4-June 26, 2016.
Janet Tyson’s review“Suspended Glass Sculptures Visualize Cities’ Population Booms,”posted on Hyperallergic, January 26, 2016.
Laura Bliss’s blog entry, “Urban Population Shifts, Rendered in Blown Glass,” posted on The Atlantic - City Lab, January 28, 2016.
Tamara Fox’s review“The Aesthetics of Information: Norwood Viviano’s Global Cities at the Grand Rapids Art Museum,” posted on arthackdotorg, December 18, 2015.
Global Cities included in the SOFA review, by Louise & Maurice: musings from the artland, November 18, 2015.
Cities: Departure and Deviation is the focus of a solo exhibition opening late January - July, 2016, Norfolk, VA.
The new project Global Cities is the focus of a solo exhibition at the Grand Rapids Art Museum, Grand Rapids, MI, November 2015 - January, 2016.
Mining Industries included in the exhibition Crafted: Objects in Flux at the Museum of Fine Arts, Boston, MA, August 25, 2015 - January 10, 2016.
Glass Quarterly feature article The Surveyor, by William Ganis, pages 38 - 45, Summer 2015, No 139.
Mining Industries featured in the exhibition Embracing Innovation, curated by Mel George, July 23 – September 1, 2015.
Mining Industries featured in MoodBoarders Magazine, by Christina Morozzi, January 30, 2015.